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范雅志
- 大提琴家 - 2001-2002音樂季中,范雅志除了與台北市立交響樂團、西班牙馬德里國家交響樂團、聖塔巴巴拉室內樂團、聖地牙哥交響樂團合作外,也曾在聖大菲室內樂節中與
Charles Wuorinen 合作、於SummerFest
La Jolla 中與 Mark O’Connor合作。其他參與演出的還有
Southern Californian ska band - Common Sense,自己舉辦的
Muzik3 Festival,並受邀擔任奧斯卡得主譚頓在台北及香港得獎曲“臥虎藏龍”演奏會中的大提琴獨奏。 Felix
Fan - Cellist This
superb 26-year-old musician – with his unique musical curiosity –
has won praise as a recitalist, chamber music partner and soloist.
Because of his interest in playing outside the standard repertory, Mr.
Fan founded Muzik3, an eclectic concert series consisting of
classical, contemporary, and improvised music. Held annually
since 1998, Muzik3 attracts an enthusiastic following and is
recognized as one of the West Coast’s most important contemporary
and experimental music events. Mr.
Fan’s globe-straddling 2001-2002 season includes dates in Taipei
(with the Taipei Symphony), Lausanne (in recital with pianist Andrew
Russo), London (in recital at the Wallace Collection), Madrid (with
the RTVE Orchestra), Santa Barbara (with the Santa Barbara Chamber
Orchestra), San Diego (in March 2002 for the fifth annual Muzik3
Festival), and in Summer 2002 at the Santa Fe Chamber Music Festival. Mr.
Fan has worked closely with significant living composers including
Oliver Knussen, Tan Dun, Hans Werner Henze, and the Swedish bass
guitarist Jonas Hellborg. He has appeared in many established
concert halls including: the Kennedy Center in Washington, DC, the
Musikverein in Vienna, the Rudolfinum in Prague, Budapest’s Vigado,
the Palau in Valencia, the National Concert Hall in Taipei, Izumi Hall
in Osaka, Casals Hall in Tokyo and the Salle Cortot in Paris. He
has also concertized with the Pacific, Syracuse, San Diego, Hong Kong
Philharmonic and Taiwan National symphonies. In
1997, the renowned cellist Yo-Yo Ma invited Mr. Fan to join him on
stage for the opening concert of the La Jolla Chamber Music
Society’s Celebrity Series. Other notable chamber music
collaborations have included performances with Janos Starker (one of
his music mentors) and an acclaimed tour of Taiwan with violinist
Cho-Liang Lin in 1995. An artistically successful duo, Fan and
Lin reunited for a performance at Mr. Lin’s 2000 Taipei
International Music Festival, which also featured such luminaries as
Emanuel Ax, Yo-Yo Ma, Leon Fleisher, and Gil Shaham. During the
2000-01 season, Mr. Fan and Mr. Lin joined the San Diego Symphony for
an inspired rendition of Brahm’s Double Concerto. Other
highlights of the 2000-01 season included the Santa Fe Chamber Music
Festival working with composer Charles Wuorinen, at SummerFest La
Jolla collaborating with composer/violinist Mark O’Connor,
performing with the Southern California ska band, Common Sense, his
own Muzik3 festival, and playing Tan Dun’s Oscar-winning Crouching
Tiger, Hidden Dragon for Cello and Orchestra in Taipei and Hong Kong.
Since 1992, Mr Fan has appeared annually in SummerFest La Jolla and
has had engagements at the Santa Fe Chamber Mucis Festival, New
York’s Bargemusic series, and the 43rd Festival Internacional de
Santander. Born
in Boston and raised in San Diego, Mr. Fan’s prodigious talent was
first recognized at the age of 4. He has studied under the
eminent Hungarian cellist Janos Starker at Indiana University, with
Eleonore Schoenfeld at the University of Southern California, with
Aldo Parisot at Yale University, and with Boris Pergamenschikov in
Cologne, Germany. In 1993, at the age of 17, he was honored at
the White House by President Clinton as a Presidential Scholar in the
Arts. Mr. Fan plays the historic “Hausmann” Stradivarius. Built in 1724, it was the cello on which Brahms’ immortal Double Concerto was premiered. |
陳宏寬
- 鋼琴家 多年來陳宏寬的傑出表現,促使他在全世界各地著名的音樂廳和許多大城演出,與他合作過的交響樂團包括美國的匹茲堡、巴爾地摩、休士頓、舊金山的莫札特節樂團,加拿大的蒙特婁,比利時皇家樂團,以色列的耶路撒冷,瑞士的湯赫爾等等。 陳宏寬自一九八四年即受聘於波士頓大學教授鋼琴,爾後轉往加拿大,目前任教於 Mount Royal Conservatory 及 University of Calgary。 Hung-Kuan
Chen -
pianist He
has played recitals in major venues and made a widely praised CD of the
Chopin Preludes on the BMG label. Mr. Chen's gifts as an extraordinary
interpreter of Beethoven received high acclaim during series of recitals
in 1989 devoted to the performance of the thirty-two Beethoven
sonatas. When the New York Times failed to cover Chen's Alice Tully
concert, Ruth Laredo wrote a rave review in another publication
welcoming a great new artist, exclaiming, “rarely have I heard such
eloquence and musical understanding. Is anyone listening.” Then,
in 1992, one of the pianist's hands suffered serious neurological damage
in an accident. He was told repeatedly that he could not expect to play
again; just as repeatedly, he refused to believe this. Instead, through
a self-practice of Qigong (a traditional Chinese meditation technique)
he has regained his ability to play again. His first solo recital in
March of 1998 received rave reviews: "Back in the '80's, Apollo and
Dionysus, Florestan and Eusebius, were at war in Chen's pianistic
personality. He could play with poetic insight, he could also erupt into
an almost terrifying overdrive. But now there is the repose and the
forces have been brought into complimentary harmony. " Richard
Dyer, Boston Globe. January 1999, Mr. Dyer adds...'This man plays music
with uncommon understanding and the instrument with uncommon
imagination!' Mr. Chen joined the faculty of Boston University since 1984 and New England Conservatory extension since 1993. His students have received high acclaim in many countries. Recently he migrated to Canada, and is now “Distinguished Artist in Residence” at Mount Royal Conservatory as well as University of Calgary and greatly involved with the marvelous Morningside Music Bridge program bringing in gifted young musicians from China and abroad. TAC/EC 2002 planning committee warmly welcomes Messrs. Felix Fan and Hung_kuan Chen to perform with Cho-Liang Lin in the special classical concert scheduled in the evening of July, 5th, 2002. |
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